I’ve just returned from a short trip to Cornwall, a county in the south west of the United Kingdom. Cornwall is renowned for its breathtaking coastline, blond beaches, and picturesque towns and villages. I flipping loved it.
The lure of the tragic, charismatic star is hard to beat, at least for me. I’ve been reading lots of books about dead celebrities; the kinds of people who made quite the impression in their lifetimes and have become all the more fascinating in (tragic) death.
It’s natural to desire feedback on your writing. You want to know that you’re on to something. You want to feel validated. But tread carefully, writers.
When I find new music that really appeals to me, I always ask myself, “Would it fit my selection for Desert Island Discs?” It’s been an incredibly difficult exercise to whittle down my favourite music to just eight tracks but I’ve given it a bash.
I’ve been thinking about plot. A lot. Is plot essential? I believe so. Story is plot. Plot is inherent in story. When readers complain about the books they haven’t enjoyed, they will often say, “It just didn’t go anywhere. I got bored.” Readers want to dive in to story. As in life, we want to be enchanted, entertained, and most importantly, to be taken on a journey.
Never again shall I sweat over bibliography formats and citations, or suffer eyestrain that felt like someone was tightening a rope around my forehead. Never again shall I sit on Amazon for hours on end, attempting to source the cheapest reference books, swearing profusely at the cost of postage and packing.
Doug and I stayed in a Beethoven themed apartment in Vienna, featuring an ominous Beethoven plaster bust, no less than five framed Beethoven portraits, and a whopper biography of Beethoven.